Posted : 26 April 2019

V&A Dundee has been selected as one of five finalists for Art Fund Museum of the Year 2019.

This award is regarded as the most prestigious museum prize in the world. The annual award celebrates innovation and exceptional achievement in museums and galleries across the UK.

The other four museums shortlisted for the title are HMS Caroline, Belfast; Nottingham Contemporary; Pitt Rivers Museum, Oxford; and St Fagans National Museum of History, near Cardiff.

The winning museum, which will receive £100,000, will be announced at a ceremony at the Science Museum, London, on Wednesday 3 July 2019. The other shortlisted museums will receive £10,000 each in recognition of their achievements. This year’s judging panel for the Art Fund Museum of the Year 2019 award, chaired by Stephen Deuchar, Director of Art Fund, are David Batchelor, artist; Brenda Emmanus, broadcaster and journalist; Bridget McConnell, Chief Executive, Glasgow Life; Bill Sherman, Director, Warburg Institute.

Dundee City Council leader Councillor John Alexander said: "The achievements of V&A Dundee just over six months following its opening are nothing short of remarkable.

"This is a hugely prestigious award to be shortlisted for and it will further raise the profile of the museum and our city.

"We are at the centre of unprecedented international attention and we are all working hard to create more exciting opportunities for Dundee and its people for the future."

To celebrate being shortlisted for Art Fund Museum of the Year 2019, V&A Dundee will open late every Friday night for the run of Videogames: Design/Play/Disrupt, the museum’s current major exhibition. The exhibition is on until 8 September and the whole museum will be open until 21.00 every Friday from 26 April.

V&A Dundee opened on 15 September 2018, over a decade after the first conversation between the University of Dundee and the V&A about creating a new museum at the heart of the city’s regeneration. Together with Abertay University, Dundee City Council and Scottish Enterprise the museum was founded on a unique partnership of five organisations.

Throughout its creation V&A Dundee worked to inspire people and promote the understanding of design. In March 2018 the museum marked the achievement of engaging with 100,000 people, six months before opening. To date, over 500,000 people have visited the museum.

As Scotland’s first design museum, V&A Dundee tells a global story, with permanent Scottish Design Galleries, major exhibitions showcasing the very best in international design, and a lively programme of commissions, events, talks and workshops.

Philip Long, Director of V&A Dundee, said: “It is an honour for everyone who has helped create, launch and run V&A Dundee for the museum to be shortlisted for Art Fund Museum of the Year 2019.

“This award recognises achievements in 2018, a year when we reached the milestone of engaging over 100,000 people some six months before opening the museum, travelled across Scotland to work with young people, and then launched the museum with a thrilling family festival of design and music.

“Since opening we have already welcomed over 500,000 visitors, double our pre-opening estimates, as well as attracting many people to visit other visitor attractions in Dundee and spend time in this beautiful area of Scotland.

“2019 is set to be a very exciting year for the museum, having just opened our new exhibition Videogames: Design/Play/Disrupt and now as a nominee for the biggest museum prize in the world.”

Speaking on behalf of the judges, Stephen Deuchar said: “The five shortlisted museums have each offered outstanding and different approaches to the vital task of engaging with the widest public in new and adventurous ways. We congratulate all those who are on the shortlist and encourage everyone to go and visit them.”

Posted : 1 April 2019

V&A Dundee has welcomed half a million visitors to the museum since it opened, hitting the milestone almost six months earlier than expected.

The 500,000th person to walk through the doors of Scotland’s first design museum was officially recorded on Saturday 30 March 2019.

V&A Dundee, which opened on 15 September 2018, has vastly exceeded original visitor estimates which forecast it would take 12 months to reach half a million visitors.

People from Dundee, Scotland and all over the world have enjoyed V&A Dundee’s programme of exhibitions and events as well as the remarkable museum building, designed by Japanese architect Kengo Kuma.

Surveys commissioned by V&A Dundee have found that visitors are being attracted from beyond the immediate Tayside region, with 36% from elsewhere in Scotland, 17% from the rest of the UK and 9% from overseas.

Survey responses also show the opening of V&A Dundee has given its home city new confidence, with 84% of attendees saying the launch festival positively impacted their perception of Dundee.

Director of V&A Dundee Philip Long said: “It has been an extraordinary opening period for V&A Dundee and the support from visitors has surpassed all expectations.

“Amazingly we have welcomed half a million visitors to the museum in a little over six months, our inaugural exhibition has been seen by almost 100,000 people and crowds of over 22,000 turned out to take part in our opening celebrations.

“V&A Dundee is flourishing as a hub of creativity and learning and it’s wonderful to see so many people enjoying it, with many returning time and time again.

“This is just the beginning for V&A Dundee, and the dedicated team behind the museum will continue with our mission to enhance lives through design and to inspire as many people as possible to get involved.”

To date 375,000 visitors have explored V&A Dundee’s Scottish Design Galleries, which tell Scotland’s international design story. These galleries have attracted exceptionally positive visitor survey responses, with 94% saying the overall experience is very good or good, a figure which rises to 100% for Dundee visitors.

The museum’s stunning inaugural exhibition, Ocean Liners: Speed and Style, was seen by 95,766 people. V&A Dundee has also held more than 300 events including public lectures, design workshops, tours and school visits and 7,500 museum memberships have already been issued.

The next major exhibition, Videogames: Design/Play/Disrupt, opens on Saturday 20 April and is the first exhibition to fully consider the complexity of videogames, positioning them as one of the most important design fields of our time.

The museum’s opening two-day celebration, the 3D Festival held in Slessor Gardens and headlined by Primal Scream, was attended by 22,600 people. Audience feedback found that 97% of those who attended the Friday evening event, and 92% who took part in the Saturday activities, rated the event as “good” or “very good”.

Cabinet Secretary for Culture, Tourism and External Affairs Fiona Hyslop said: “V&A Dundee is a powerful symbol of Dundee's new confidence and is not only raising the national and international profile of the city but is increasing Scotland’s attractiveness to tourists looking for world class cultural experiences.

“It’s fantastic to see V&A Dundee breaking visitor numbers six months earlier than predicted, showing the incredible success of this prestigious new attraction and that there is a real interest in Scottish design.

“I congratulate those involved in making this such a valuable asset to Scotland in both cultural and economic terms and I look forward to seeing it continue to delight visitors for decades to come.”

The opening of V&A Dundee has coincided with growing visitor numbers at other Dundee cultural attractions. 2018 figures, recently released by ASVA (Association of Scottish Visitor Attractions), showed a 42% increase in the number of visitors to Discovery Point and a 21% increase at Verdant Works. Other attractions in the region, including Arbroath Abbey and Barry Mill also recorded significant increases.

Dundee City Council leader Councillor John Alexander said: “This is an incredible achievement for V&A Dundee in such a short time.

“We can see from the increased visitor numbers at other Dundee attractions that the city is certainly feeling the benefits of the opening of this superb new museum of design.

“Everyone is looking forward to the unveiling of V&A Dundee’s new exhibition and partners in the city are working towards maximising the continuing opportunities for the area from these visitor numbers.

“This is just six months since the museum first opened. I can’t wait to see what happens next.”

For more information about V&A Dundee, please visit their website.

Posted : 21 January 2019

V&A Dundee has won the Wallpaper* Design Award 2019 for the Best New Public Building. 

The building, which is home to Scotland’s first and only design museum was designed by the award winning Japanese Architect Kengo Kuma. 

The inspiration for the design of the building came from the ragged cliffs of North Eastern Scotland, while also incorporating Dundee’s rich maritime history.  The shape of the building is said to resemble the prow of a ship, similar to the V&A’s neighbour RRS Discovery.

Wallpaper* stated: "The highly sculptural V&A Dundee is Japanese architect Kengo Kuma’s first UK building – and Scotland’s first dedicated design museum.

"The ragged cliffs of north eastern Scotland inspired the composition’s distinct shape, clad in some 2,500 sheets of layered horizontal cast stone panelling.

"Yet the concrete structure appears light, bearing an abstracted resemblance to the prow of a moored ship. Kuma wanted this building to welcome visitors with a strong design gesture."

The construction of the building was ground-breaking, with no straight external walls and cladding made of pre-cast rough stone panels.

The Wallpaper* Magazine runs its design awards every year, with the winners being chosen by an elite panel of judges made up of acclaimed architects and designers from all over the world.

V&A Dundee director Philip Long said: “We're delighted to win this prestigious global award.

"Wallpaper is one of the world’s most highly respected design magazines and everyone at V&A Dundee is thrilled to have won, especially when we were shortlisted against such incredible international projects as the Apple Park Visitor Centre in California.

“V&A Dundee has already welcomed over 360,000 visitors, and we are all looking forward to an exciting year with exhibitions on videogames and the future of robots.”

Dundee City Council leader John Alexander said: "This award from Wallpaper* is a tremendous accolade for V&A Dundee. It has put our city at the centre of international attention.

"I am delighted at this award as it recognises the quality of design and ambition at the heart of this building."

V&A Dundee is situated in the heart of Dundee’s regenerated Waterfront, within close proximity of the city centre.  The museum is also within easy walking distance of the Dundee’s train and bus stations.

For more information about V&A Dundee visit: https://www.vam.ac.uk/dundee

Posted : 2 October 2018

DC Thomson - Beano's 80th Birthday 

On July 30th 1938, seven months after the Dandy was first published, DC Thomson launched the second of its "funny boys' papers" – Beano. Little did they know, this comic would go on to become the world’s longest-running weekly comic and a beloved British pop culture icon. Eighty years later we look back at some of Beano’s most cherished moments.

 

1930s 

The 1930s

Big Eggo the ostrich was Beano’s first cover star. Editor R.D Low couldn’t initially decide about which would make a better character – an ostrich or an ape. After consulting his children, Low instructed artist Reg Carter to characterise the ostrich’s goofy features and Big Eggo was born.

Big Eggo would remain on the cover for nearly a decade, eventually being replaced by Biffo the Bear in 1948. The early days of the comic featured adventurous stories, like Morgyn the Mighty and The Adventures of Tom Thumb, alongside humorous comics like Wee Peem, Little Dead-Eye Dick, and the iconic Lord Snooty.

Early editions also saw the birth of classic Beano characters like Pansy Potter and Strongman’s Daughter.

Only 12 copies of the first issue exist today. In 2004, a first issue Beano sold for £12,100 at auction – at the time, this was the highest price ever paid for a British comic.

 

1940s

The 1940s

The 1940s were a turbulent time for Scotland and the world. With WW2 on Britain's doorstep, Beano faced paper and ink rationing, forcing it into a fortnightly publication schedule. Beano actively supported the war effort with stories mocking Hitler and Mussolini. In fact, these humorous strips angered Hitler so much that Beano’s editor George Moonie was on the hit list of newspaper editors that were to be captured and killed following German invasion.

 

1950s

The 1950s

Dennis the Menace kicked off the 1950s in style when he appeared on the scene in 1951. It’s believed that editor George Moonie got Dennis’ name from an old music hall song which went “I’m Dennis the Menace from Venice”. David Law designed the original strips to feature a minimal background to increase the idea of speed. At the time, this was a groundbreaking style completely new to the comic book world. The early Dennis strips didn’t include his iconic red and black striped sweater. In fact, his sweater doesn’t appear until later in the year. The early 1950s also saw the creation of Beano characters like Roger the Dodger, Minnie the Minx, and The Bash Street Kids.

 

1960s

The 1960s

While the paper rationing from WW2 had stopped many years before, the Beano comic didn’t increase its page count till the early 60s. The additional four pages required more resources, so prices also had to increase. To help soften the blow on children’s wallets, Beano comics started to include free gifts like The Beano Flying Snorter and The Beano Clickitty Clicker.

Billy the Whizz races onto the pages during the mid-60s while Gnasher, Dennis’s faithful pet, appears in the late 60s. David Sutherland draws The Bash Street Kids for the first time in 1962, a job he's still doing to this day. David would also draw Dennis & Gnasher, Biffo the Bear, Gnasher & Gnipper, and many others over the years.

During the 1960s, Harry Cramond takes over editorial duties for the next two decades.

 

1970s

The 1970s

Dennis’s popularity continues to grow. In 1974, he replaced Biffo the Bear as Beano’s cover star, where he has remained ever since. On June 5th, 1976, the Dennis and Gnasher fan club was launched. For the price of a postal order, members received a membership card and two badges in a plastic wallet. The Dennis and Gnasher fan club enrolled over 2,000 new members every week till 1998 when Beano Club replaced it.

 

1980s

The 1980s

The 1980s ushered in new Beano characters like the bath-adverse Smudge, the toddler-terror Ivy the Terrible, and the critically unlucky Calamity James. Euan Kerr also takes over editorial duties and serves as editor for two decades.

In March 1986, a terrible event unfolded that traumatises Dennis and Beano characters – Gnasher goes missing! Gnasher’s disappearance sparked one of the longest running serials in Beano’s history. After seven tearful weeks, Gnasher returned home with his offspring Gnipper in tow.

 

1990s

The 1990s

During the early 1990s, Lord Snooty, one of Beano’s oldest characters, stops appearing and Beano is printed in full-colour for the first time. Towards the end of the decade, Dennis becomes a big brother when his sister Bea is born.

 

2000s

The 2000s

The 2000s ring in new strips, like The Riot Squad and Fred’s Bed, and in 2006, Alan Digby takes control of the Beano comic. Some style changes are made, such as a broader more saturated colour palette, glossy paper, and a new Beano character appears in the logo each week.

 

2010s

The 2010s

The 2010s were a decade of celebration. Under the leadership of Michael Stirling (2011-2012), Craig Graham (2012-2016) and John Anderson (2016-present), Beano reached several milestones:

In 2013, Minnie the Minx had her 60th birthday. In 2015, the 3,800th issue of the Beano comic broke the Guinness World Record for longest running weekly published comic.

In 2016, a news feed launched on Beano.com to give Beano fans their daily dose of crazy fun. Today, Beano has sold over 1.86 million copies with an issue sold every 17 seconds in the UK. And on July 30th, 2018, Beano celebrated its 80th birthday!

Posted : 21 September 2018

With only a short while left we need to say a well done to all of the sponsors, artists and everyone involved in making Maggie’s Penguin Parade such a fantastic success including the 181 penguins which flooded our streets this summer.

But most of all we need to thank you – the wonderful public – for tracking down, visiting, photographing, taking care of and celebrating all of our marvellous penguins!

And so we should like to invite you all – whether you have completed the trail, have only a few to go or have only seen a couple – to join us on Saturday 22 and Sunday 23 of September at Slessor Gardens to say a fond farewell to all 181 of the Maggie’s Penguins.

Yes! All of the large penguins, the much loved baby penguins and the elusive King of the Shoot will be brought together for the first and last time ahead of the auction on Monday 24 September.

All the ticket details are below so make sure you are a part of the fantastic event.

 

 

Tickets are available from Dundee Box Office in persononline or over the phone.

  • £4 per adult
  • £2 per child (5-16 years old)
  • Under 5’s go free!
  • Family ticket- £10 (2 adults + 2 children)
  • Online transaction fee- £2

Dundee City Box Office, 16 City Square, Dundee DD1 3BG.

Hours – Monday to Thursday 9.30 am – 5 pm, Friday 9 am – 5 pm, Saturday 9.30 am – 5 pm.

Tel: 01382 434940.        www.dundeebox.co.uk

*Postage fees may apply

Due to demand booking times are necessary with hourly slots available. Contact us directly for special assistance viewing.

All ticket monies will go towards supporting Maggie’s Dundee

Posted : 30 August 2018

V&A Dundee has welcomed its 100,000th visitor - just three weeks after opening its doors.

Incredibly, the waterfront design museum is already a fifth of the way towards meeting its first-year target of half a million visitors.

The lucky 100,000th person through the doors was Sheila Harkness, who was visiting with her family. She received a special gift of V&A Dundee goodies along with a Family and Friends Membership.

V&A Dundee director Philip Long said: “I’m very proud and delighted that, in just over three weeks, 100,000 people have already visited the museum.

“The feedback we have received from visitors has been fantastic and means so much to all of the team here at V&A Dundee.

“It’s been a joy to see people enjoying the galleries, exhibitions and learning activities as well as exploring the wonderful building designed by our architect Kengo Kuma and enjoying all it offers.

“We are very much looking forward to welcoming even more visitors to Scotland’s first design museum.”

Posted : 30 August 2018

V&A Dundee opens its doors for the first time to the public on Saturday 15 September 2018. Today its beautiful, light-filled interiors designed by acclaimed Japanese architect Kengo Kuma have been revealed for the first time.

As Scotland’s first design museum, V&A Dundee tells a global story, investigating the international importance of design alongside presenting Scotland’s outstanding design achievements.

V&A Dundee’s construction and fit-out took three and a half years to complete and it stands at the centre of the £1 billion transformation of the Dundee waterfront, once part of the city’s docklands.

With its complex geometry, inspired by the dramatic cliffs along the north-east coast of Scotland, it stretches out into the River Tay – a new landmark connecting the city with its historic waterfront, and a new major cultural development for Scotland and the UK.

At the heart of the museum the Scottish Design Galleries feature 300 exhibits drawn from the V&A’s rich collections of Scottish design, as well as from museums and private collections across Scotland and the world.

At the centre of these galleries stands the magnificent Charles Rennie Mackintosh Oak Room meticulously restored, conserved and reconstructed through a partnership between V&A Dundee, Glasgow Museums and Dundee City Council. Visitors to the museum will be able to experience once again Mackintosh’s extraordinary talent in designing this room, lost to view for nearly 50 years.

The ambitious international exhibition programme opens with Ocean Liners: Speed and Style, organised by the V&A and the Peabody Essex Museum in Salem, Massachusetts, the first exhibition to explore the design and cultural impact of the ocean liner on an international scale. Major exhibitions are complemented by new commissions and installations including This, looped by Glasgow-based artist and former Turner prize nominee Ciara Phillips.

Philip Long, Director of V&A Dundee, said: “The opening of V&A Dundee is a historic occasion for Dundee, for the V&A, and for the very many people who played a vital part and supported its realisation. This is a very proud moment for all involved.

“V&A Dundee’s aspiration is to enrich lives, helping people to enjoy, be inspired by and find new opportunities through understanding the designed world. After years of planning, we are thrilled at being able to celebrate the realisation of the first V&A museum in the world outside London.

“The museum’s light-filled wooden interior and impressive spaces inside have been designed to provide a warm welcome to visitors, described by architect Kengo Kuma as a ‘living room for the city’. We are all very excited indeed that we can now welcome everybody into this remarkable new museum.”

Kengo Kuma, architect of V&A Dundee, said: “The big idea for V&A Dundee was bringing together nature and architecture, to create a new living room for the city. I’m truly in love with the Scottish landscape and nature. I was inspired by the cliffs of north-eastern Scotland – it’s as if the earth and water had a long conversation and finally created this stunning shape.

"It is also fitting that the restored Oak Room by Charles Rennie Mackintosh is at the heart of this building as I have greatly admired his designs since I was a student. In the Oak Room, people will feel his sensibility and respect for nature, and hopefully connect it with our design for V&A Dundee.

I hope the museum can change the city and become its centre of gravity. I am delighted and proud that this is my first building in the UK and that people will visit it from around the world.”

The delivery of V&A Dundee has been overseen by the innovative founding partnership of the V&A, Dundee City Council, the University of Dundee, Abertay University and Scottish Enterprise. The £80.11m project was funded by the Scottish Government, The National Lottery through the Heritage Lottery Fund and Creative Scotland, Dundee City Council, the UK Government, Scottish Enterprise, University of Dundee, Abertay University and a successful private fundraising campaign which is now complete.

Dundee City Council Leader, Councillor John Alexander said: “V&A Dundee is the perfect illustration of how the city is forging a new path and being transformed for every resident, worker and visitor. We are not a city which limits its ambitions and there is much more to come from our creative and dynamic city.

“We are predicting an economic boost in the city, estimated in the region of £11.6 million a year and the creation of 361 extra jobs across Scotland, 249 of which will be in Dundee. We also anticipate a significant number of other indirect benefits in terms of jobs and investment from new enterprise, business and increasing footfall in the city.

“V&A Dundee presents a unique and major opportunity for the city of Dundee, the contribution it will make to realising the council's ambitions and strategies for the city are hugely significant and its completion and opening represent the result of much determined effort over a ten-year period by the council and its partners.”

Tristram Hunt, Director of the V&A, said: “This cultural milestone for the city of Dundee is also a landmark moment in V&A history – we’re extremely proud to share in this exceptional partnership, the first of its kind in the UK, and to have helped establish a new international centre for design that celebrates Scotland’s cultural heritage.”

V&A Dundee has now successfully completed its capital funding programme, the most ambitious of its kind in Scotland, and will now focus on funding the museum’s exciting exhibitions and learning programmes.

Sir Peter Luff, Chair of the Heritage Lottery Fund, said: “Today the spotlight is on Scotland, and Dundee, as cultural organisations across the globe look on in awe at what has been achieved. For a small country, Scotland has an incredibly rich design heritage with creativity, innovations and inventions that have changed lives across the world.

“Thanks to £19 million of funding from The National Lottery, we now have a spectacular, world-class museum which is a beacon for those incredible achievements and an inspiration for the future of design.”

The public opening of the museum will be celebrated by the 3D Festival, a free two-day event on 14 and 15 September, which includes performances by Primal Scream in collaboration with Scottish artist Jim Lambie, Lewis Capaldi, Be Charlotte and Gary Clark of Danny Wilson as well as musical performances there will also be spectacular new dance, design and lighting collaborations, putting the audience and the museum at the heart of the show.

Free tickets to the 3D Festival on Friday 14 September and for entry to the museum on Saturday 15 and Sunday 16 September have all been allocated.

The next opportunity to visit the museum is on Monday 17 September at 10:00.

V&A Dundee is free to enter and open daily from 10.00 to 17.00.

Cabinet Secretary for Culture, Tourism and External Affairs Fiona Hyslop, said: “I am truly excited about the opening of V&A Dundee. Celebrating the important contribution Scots and Scotland have made—and continue to make—to the world of design, the museum will delight, educate and inspire visitors from far and wide, putting Scotland on the international stage.

“V&A Dundee is a powerful symbol of Dundee’s new confidence and a major addition to Scotland’s world-class collection of museums and visitor attractions. As the flagship of Dundee’s waterfront development, the museum will act as a magnet for the city’s regeneration, attracting inward investment and tourism, and creating new jobs and opportunities beyond the construction phase.

“The Scottish Government was an early supporter of the plans for V&A Dundee. I am proud that we have provided £38 million towards the construction of the building and committed an extra £361,000 in 2018-19 to support its first year of activity. The museum will be a valuable asset in both cultural and economic terms for decades to come.”

Scottish Secretary David Mundell said: “Quite simply, V&A Dundee is the biggest addition to Scotland’s cultural scene this century.

“It is a hugely exciting project – an instantly iconic new building on Dundee’s waterfront housing a treasure trove of artefacts.

“I’ve no doubt it will draw millions of people from Scotland and around the globe in the years to come and I am as excited as anyone at the prospect of seeing it for the first time.

“The UK Government provided £5million to help deliver the project. As V&A Dundee prepares to open, I’d like to congratulate everyone involved and wish this spectacular new space every success in future.”

Posted : 12 July 2017

The work of Stewart Carmichael, one of Dundee’s great champions of art, is to be featured in a new exhibition at the University of Dundee, the first major retrospective since his death in 1950.

 

Carmichael, who was born 150 years ago, played a leading role in developing the `Celtic Revival’ art movement in Dundee. The `Stewart Carmichael: Celtic Visions’ exhibition displays his own work and also points to the great influence he had in Dundee’s cultural development.

 

Curator Matthew Jarron said, "Carmichael was arguably the most important champion of art that Dundee had over half a century ago, yet his work has never received the attention it deserves. As well as his significant talents as a painter and illustrator, he was also a tireless campaigner for the role of art in the city.

 

"He created murals for churches and other public buildings, and played an important role in the development of early art collectives such as Dundee Art Society and the first shared artists’ studios in the city. He was also a vocal supporter of art education, including what is now Duncan of Jordanstone College of Art & Design."

 

The exhibition will open in the University’s Lamb Gallery on Saturday, 15th July 2017. It has been created in partnership with The McManus: Dundee’s Art Gallery & Museum which is also celebrating its 150th anniversary this year. It also features material on loan from other local collections.

 

‘Stewart Carmichael: Celtic Visions’ will run until Saturday, 30th September 2017.

 

For more information contact museum@dundee.ac.uk or 01382 384310.

Posted : 12 July 2016

Urban planning is like "real-life SimCity" to the man who is spearheading Dundee’s waterfront development

Like so many students in Dundee, Mike Galloway immediately left town after earning his degree from Dundee University. His next 18 years as an urban planner included various stints in Glasgow, London and Manchester before eventually returning to Dundee, where he is now working to create a community that will encourage more of today’s graduates to stay put.

Homes for young professionals are currently among the top priorities for Mike, who has been spearheading Dundee’s massive £1 billion waterfront redevelopment since its inception in 1997. With anchor projects such as the V&A design museum and a new railway station now coming out of the ground, he wants to channel further investment into offices, creative space, hotels and housing.

"We need flats for young professionals filling the growing number and variety of jobs available, so they don’t feel they have to leave to pursue their career or have the lifestyle they desire," he says.

"I got all of that out of my system, but I would like to make the decision easier for today’s graduates to either come back or even stay in Dundee."

Raised in Glasgow’s east end, his family later moved to Perth, he says he had no particular ambitions at school, but was eventually drawn to town planning because it’s like "real-life SimCity".

Ironically, he prefers the series to Minecraft, whose local connections include Dundee tech entrepreneur Chris van der Kuyl’s 4J Studios, which worked on console editions of the outrageously popular 3D cuboid game. Last year, 4J Studios also released a Minecraft version of what Dundee’s waterfront will look like when the regeneration project is complete.

"I don’t actually rate Minecraft, but of course the links to Dundee, and what they’ve done with the waterfront project, are fantastic."

www.dundeewaterfront.com

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